Bibliography
Theorists:
Berlant, Lauren. Cruel Optimism. Durham, NC: Duke University Press, 2011.
Caruth, Cathy. Trauma: Explorations in Memory. Baltimore: Johns Hopkins University Press, 1995.
Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. Translated by Peggy Kamuf. New York: Routledge, 1994.
Foucault, Michel. “Of Other Spaces: Utopias and Heterotopias.” Diacritics 16, no. 1 (Spring 1986): 22–27.
Haraway, Donna J. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago: Prickly Paradigm Press, 2003.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press, 1982.
Ngai, Sianne. Ugly Feelings. Cambridge, MA: Harvard University Press, 2005.
Literature, Philosophy and Plays:
Beckett, Samuel. Waiting for Godot. London: Faber and Faber, 1956.
Huysmans, Joris-Karl. Against Nature (À Rebours). Translated by Robert Baldick. London: Penguin Classics, 1959.
Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap Press of Harvard University Press, 1999.
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Leslie, Esther. Walter Benjamin. London: Reaktion Books, 2007
Meyrink, Gustav. The Golem. Translated by Madge Pemberton. Mineola, NY: Dover Publications, 1986.
Artists and Artworks/Exhibitions:
Bacon, Francis. Figure with Meat. 1954. Oil on canvas. Art Institute of Chicago.
Bourgeois, Louise. Quilting. 1999. Fabric sculpture. Various collections.
Smith, Kiki. Untitled (Rabbit). 1990. Bronze. Museum of Modern Art, New York.
Taylor, Glen Martin. Yorick, The Headless White Rabbit. Date unknown. Mixed media sculpture/exhibition work.
Gelitin. Hase. 2005. Mixed media installation. Colletto Fava, Italy.
Barlow, Anna. (Referenced for ceramic growths and bodily mutation aesthetics.)
Selected sculptural works. Various exhibitions.
TKE Foundation group exhibition, ‘This is Love’ 07/02/26-29/03/26
Gideonsson/Londre, Hours, 2017. Moderna Museet, Stockholm, Sweden.
Conceptual/Methodological Frameworks:
Benjamin, Walter. Montage method; constellation theory; fragmentary historiography.
(See The Arcades Project.)
Foucault, Michel. Heterotopia; spatial crisis; bounded sites.
(See “Of Other Spaces.”)
Caruth, Cathy. Trauma as belated experience; narrative return.
(See Trauma: Explorations in Memory.)
Haraway, Donna. Companion species; co-constituted human/nonhuman relations.
(See The Companion Species Manifesto.)
Internal / Practice-Based Constructs (Citable as my Original Frameworks)
UC (Unnamed Creature) — composite entity, ecological survivor, heterotopic body
Heterotopia of the Self — original theoretical proposition framing alters as internal environments
Heterophobia — fear of environmental misalignment rather than otherness
Hairline Spectator — institutional observer / examiner voice
Furless, Gown, Meatmouth, Moult, Scalp — alter-figures within narrative methodology